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'Meeruthiya Gangsters' Movie Review By 'G9 Divya Solgama'


'Meeruthiya Gangsters'

Movie Review By 'G9 Divya Solgama'

'Desi Pranksters'

Expectations:

Gulzar's 'Mere Apne' could be termed as one of the inceptor film, portraying the tale of youngsters taking law in their hands. But, it was N. Chandra's 'Ankush', which dealt around the lives and happenings of these misled youngsters. On the lines of 'Ankush', many filmmakers narrated such types of tales dealing with criminal activities by youngsters but with different town or cities. The latest to join such types of films is 'Meeruthiya Gangster' which is directed by the writer of Anurag Kashyap's 'Gangs Of Wasseypur' (Part I & II). Both these parts were loved by a different set of audience and marked its own style. So, let's find out whether 'Meeruthiya Gangster' will give us another different type of crime based film or might be yet another clone of such types of films.
Meeruthiya Gangsters Movie Review

Story:

'Meeruthiya Gangster' is a story of a group of friends residing in the city of Meerut. The group is led by Nikhil (Jaydeep Alhawat) and consist of Amit (Aakash Dahiya), Gangan (Vansh Bhardwaj), Rahul (Chandrachoor Rai), Sunny (Shadab Kamal) and Sanjay (Jatin Sarna). Together, they do small time kidnapping and enjoy the ransom amount among themselves. One day Gagan's girlfriend Mansi (Nashrat Bhardwaj), complains about her senior colleague Jayantilal Jain (Brijendra Kale). This inspires Nikhil and his friends to kidnap him in order to seek a bigger ransom. Because to this kidnapping, police inspector R.K Singh (Mukul Dev) starts following their trials and what happens next is what the entire film is all about.

Screenplay & Technicalities:

The story might remind you of a recently released film 'F.U.G.L.Y' and many such types of films. The story is very minimal and has been stretched to its fullest. There is no proper screenplay or drama happening around as the film just keeps running over the routine fun, crime and stuffs. The movie starts with a super long introduction of various characters followed by repetitive screenplay. The makers also introduce many side tracks which slows down the flow of the film and ends up being dragging and monotonous. Though, the movie has its share of positive moments like Rahul Dev-Sanjay Mishra scene, Brijendra Kale track, Jatin Sarna's scenes and few more. The language used in the film is funny and enjoyable. Wished the writers would have kept the flow of the film intact, without diluting it with unnecessary subplots and details. The camera work is good and works in the favour of the film.

Music & Direction:

Music by Siddhant Madhav is fine, but not impressive.
Director Zeishan Quadri narrates his film in a non structured manner due to which the whole effort gets diluted. On an individual basis, there are a few good, enjoyable scenes, but on an overall basis the movie lacks intensity and dramatic moments. Except for some comical stuff, there is nothing new in this film.
On performance basis, Jaideep Ahlawat, Aakash Tyagi, Vansh Bhardwaj, Chandrachoor Rai, Shadab Kamal and Jatin Sarna acts decently and does their part with total grace. Nushrat Bharucha looks good but has very less to offer. Mukul Dev is repetitive. Sanjay Mishra is good in his small role. Brijendra Kale is impressive.

So bol meri รข€˜'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well, the movie has some enjoyable moments and decent performances by its lead actors. The movie lacks highly on intense drama and a good story telling. The impact is weak and has nothing new to offer making these 'Meerithiya Gangster' act like some local desi pranksters where after a unique style all their pranks ends up as a bland and silly act.

Ratings - 2/5 

'Hero' Movie Review. Starring - Sooraj Pancholi, Athiya Shetty, Tigmanshu Dhulia & Aditya Pancholi. Directed by Nikhil Advani. Produced by Salman Khan & Subhash Ghai.


'Hero'

Movie Review By 'G9 Divya Solgama'

'Fast Forward Version....'


Expectations:

Right from the Kapoor’s era, whenever star kids are launched there is immense curiosity and excitement related to their launch due to the aura of their parents. Except for few star kids, most of them choose the conventional path of getting launched in a romantic film or a big budgeted film. The latest launching vehicle for the star kids is getting launched in a stylish film, which is a remake of a hit film. Last year Tiger Shroff was launched in ‘Heropanti’, which was a remake of a hit Telugu film and this year we have Sooraj Pancholi and Athiya Shetty getting launched in ‘Hero’, which is a remake of Jackie Shroff starrer 1983 film of the same name. 1983’s ‘Hero’ was a path-breaking film in its own way as it narrated a tale of an anti-hero with some fantastic music and great direction associated with it. A role which was written for Sanjay Dutt, marked the right launching vehicle for Jackie Shroff and Meenakshi Sheshadri (after their failed debut attempt). Thus, let’s find out whether the latest version of ‘Hero’ will do the same wonders for Sooraj and Athiya as it did for Jackie and Meenakshi in their times or might end up being another remake trying to cash-in over its past glory.


Story:

Hero’ is a story of a local goon Sooraj (Sooraj Pancholi), who works for a criminal Pasha (Aditya Pancholi). Pasha is facing trial in the court and will be sentenced based on the evidence provided by I.G Shreekant Mathur (Tigmanshu Dhulia). Thus, Pasha orders Sooraj to kidnap I.G Shreekant Mathur’s daughter Radha (Athiya Shettya). Sooraj disguises as a cop and manage to kidnap Radha very easily. While in exile, Radha and Sooraj fall in love with each other. After a while Radha finds out the real identity of Sooraj and still wants him in her life as she believes after completing his punishment Sooraj will be a changed man and thus asks him to surrender in front of the law. What happens next is what the entire film is all about.


Screenplay & Technicalities:

The story structure is scene to scene similar to the original film. It’s only that everything out here is hurried and taken for granted. Right from the first scene, there is no detailing to any characters nor the flow of the film is presented in a dramatic or entertaining manner. It’s just that the movie is going on and on with few dialogues and songs on a loop mode. Except for few good fight scenes, dances, locations and Salman Khan’s video in the end credits, there is nothing much to cherish in this half backed film. Sooraj’s character lacks the darkness and is not at all intense. He dances, looks smart, falls in love, parties, etc instead of being a menacing character. There is no transformation of an anti-hero to hero in his character. Everything is presented in a convenient manner without any struggle or hardship. The comical tracks were unwanted. The climax is presented with typical Salman Khan / Rajnikant style of fights where the conviction level was not at its fullest. Also, the finale part was totally predictable and bland. The love track also develops without conviction and needed more moments attached to it. This movie also makes you realize the fact that 1983’s ‘Hero’ is a great film in terms of its writing, direction, performances, casting and music. The camera work is good and the movie has been shot on some good locations.


Music & Direction:

The music of 1983’s ‘Hero’ was highly entertaining and immensely popular with songs like ‘Lambi Judai’, ‘Ding Dong’, ‘Pyar Karnewale Kabhi Darte Nahin’ and few more along with its theme flute music. Sadly, in this latest remake of ‘Hero’, except for Salman Khan’s version of ‘Main Hoon Hero Tera’ and ‘Yaadan Teriyaan’ there is nothing worth hearing in this film.

Director Nikhil Advani fails to do proper justice to the original version of ‘Hero’ and ends up delivering a half baked product. He misses out on the fine detailing and ends up delivering a bad remake on the lines of films like ‘Ram Gopal Verma Ki Aag’. 


Performances:

Sooraj Pancholi looks smart and will have an immense female fan following due to his physical appearance. Sadly, he fails to express and give a decent dialogue delivery as he needs to work hard on his speech. Athiya Shetty in comparison to Sooraj Pancholi acts decently, but fails over her weird appearance. Tigmanshu Dhulia delivers one of his worst performances. Sharad Kelkar, Anita Hasdani, Vivan Bhathena are fine in their parts. Aditya Pancholi and Suresh Menon had hardly anything to offer. Salman Khan in the end credits is the best thing to happen to this doomed film. 



So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well, despite of superstar Salman Khan launching these new comers there is nothing overwhelming about any of them after watching the film. The movie ends up as a show-reel for its lead actors. In comparison with this movie, I would suggest everyone to watch the original 1983’s version to understand the value of good, well written and entertaining film. As for the latest version of ‘Hero’, the movie ends up like watching the fast forward version of the original, where you know what’s happening in this soulless film, but fail to miss out over the required detailing and entertainment quotient. 


Ratings - 1.5*/5

'Tera Mera Tedha Medha' Movie Review


'Tera  Mera Tedha Medha'

Movie Review By 'G9 Divya Solgama'

'Knots & Dirty Stains...'

Expectations:

The 60’s era was flooded with back to back romantic musical films. But, with the arrival of the 70’s era, we witnessed soft, light hearted romantic comedies with younger and less popular actors. Some of these films like 'Choti Si Baat', 'Saath Saath', 'Golmaal', 'Baaton Baaton Mein', 'Piya Ka Ghar', etc made their mark onto the list of classic films and inspired various other filmmakers to keep making such small budget light hearted romantic films with lesser known actors. One of this week's released film 'Tera Mera Teda Meda' (TMTM), is also one such film with lesser known actors and low marketing. Thus, let's find out whether 'TMTM' will manage to give us a sweet feel good type of romantic comedy or might end up being another film with good one liner script and nothing else to offer.


Story:

'Tera Mera Tedha Meda' is a story of Rajan Jha (Rahul Bagga) who keeps painting nude females and is in a live-in relationship with Kamini (Geetika Tyagi). As per astrological planets Rajan's ‘Mangal’ (Chittranjan Tripathy) and ‘Shani’ (Rajesh Sharma) are in the trouble making zones, thus creating lots of ups and downs in his life. Due to these happenings, Kamini break up with Rajan and so things in his life changes drastically. What happens next is what the entire film is all about.

Screenplay & Technicalities:

Now, looking at the synopsis the story seems like a typical romantic type of film with love-break up-love as it's core ingredient. If only the writers would have stuck to the basic story line, the impact would have been positive. Instead, they ended up adding weird detailing to all the characters from the film. The hero is gifted to paint only nude pictures, the heroine gets bitten by an owl, due to which she cannot face the sunlight but develops night vision and can paint in darkness, the narrators are the planets (in human form) wearing Govinda style clothes and keep singing songs for every situation, one of the narrator drinks oil in bottle and keeps spraying deodorant to avoid the smell, there are other planets (in human form) who keep playing musical band, one of the neighbour is bi-sexual pervert, who keeps lusting on every girl and guy he meets, then there is a weird family from Bihar who forcefully tries to get the hero married to their ugly looking daughter, then there is one more heroine who is more horny than the perverts sitting on a computer watching porn 24x7 and many such characters with unique qualities attached to them. Most of these characters and their tracks are non-relevant to the theme of the film. The dialogues have double meaning and are trashy (‘Tumhare ander painter nahin chupa hain, hawas ka panther chupa hain’, etc). The C.G.I work is weak and looks terrible on the screen.



Music & Direction:

The songs are unwanted and fails to go with the flow of the film. Background music is jarring.

The director Chittranjan Tripathy tries to blend a rom-com with some naughtiness attached to it, but fails miserably due to weak screenplay. He ends up being modern day Manoj Kumar, who, puts his foot in various sections of film making (director, actor, music director, lyricist, writer, etc).

Performances:

Rahul Bagga tried to do a decent job, but ends up being victimized of inconsistent performance. Geetika Tyagi looks good and does her part with grace. Reema Worah was loud and vulgar at times. Rajesh Sharma and Chittranjan Tripathy were fine in some parts. Sanjiv Chopra was cheap.


So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well, except for one liner story idea and few unintentionally funny scenes, there is nothing much to look forward in this film. 'Tera Mera Tedha Meda' ends up like a piece of non usable cloth with several knots and dirty stains attached to it. The best way to use it is to dump it into the garbage can.
  • Ratings - 0.5/5

'Dil Dhadakne Do' 

Movie Review By 'G9 Divya Solgama'

'Elite Entertainer..'

Expectations:

We all know about the great writing flair of Javed Akhtar due to his path breaking films as a story writer followed by soul touching lyrics in many popular songs. Javed Akhtar’s first wife Honey Irani despite of been popularly known as a child actor, also portrayed her writing skills by giving us some great films like ‘Lamhe’, ‘Darr’, ‘Aaina’, ‘Kaho Naa Pyaar Hai’, ‘Kya Kehna’, ‘Koi Mol Gaya’ and few more. The legacy continued with the launch of their son Farhan Akhtar as a writer-director in ‘Dil Chahta Hai’ followed by their daughter Zoya Akhtar as a writer-director for ‘Luck By Chance’. Though, Zoya Akhtar got her biggest commercial hit in the form of ‘Zindagi Na Milegi Dobara’ which connected with both, classes and masses. Thus, right from the first announcement of her latest film ‘Dil Dhadakne Do’ with its unique ensemble cast on a cruise liner, the expectations were at its peak as the recall value of Zoya’s last hit film ‘ZNMD’ was very high. So let’s find out whether ‘Dil Dhadakne Do’ will match up to the high expectations and surpass the popularity level of ‘Zindagi Na Milegi Dobara’ or might end up being a medium level product just like it was in ‘Bombay Talkies’.


Story:

 ‘Dil Dhadakne Do’ is a story of a business tycoon Kamal Mehra (Anil Kapoor) and his wife Neelam Mehra (Shefali Shah), who are celebrating their thirtieth marriage anniversary on a luxury cruise liner with their children Kabir (Ranveer Singh) & Ayesha (Priyanka Chopra). They are joined by their families, friends and relatives along with Ayesha’s husband Manav (Rahul Bose). Kamal Mehra on the other hand is going through a financial crisis and so, wants his son Kabir to marry Nuri (Riddhima Sud), daughter of business tycoon Lalit (Parmeet Sethi). Little do they know, that Kabir is getting attracted towards a dancer Farah Ali (Anushka Sharma). What happens next is what the entire film is all about.

Screenplay & Technicalities:

The one line story is a typical Bollywood family drama type of story which we have been witnessing in the 60’s, 70’s and the 80’s era films with actors like Rajendra Kumar, Sunil Dutt, Shammi Kapoor, Govinda, Rishi Kapoor, etc. Right from the first scene of the film the movie is highly predictable and moves on a snail pace. It’s the treatment and the characters which makes ‘Dil Dhadakne Do’ interesting followed by the whole premise setting in the luxury cruise liner. There are many small moments and minute scenes like Anil Kapoor – Shefali Shah argument over the dinner, introduction of various characters while boarding the ship, Ranveer – Anushka Sharma first date, Anil-Shefali convincing Ranveer to get married, Priyanka Chopra playing tennis with Rahul Bose, Ranveer imagining a break-up story, Farhan Akhtar’s view over equality, Priyanka explaining reasons related to Rahul Bose to her family, Anil firing Ranveer, family argument in the medical ward, Anil-Shefali’s repenting, followed by the finale moment and few more, which will help you being engaged to the silver screen. Not to forget the quirky dialogues by Pluto the dog (voiced by Aamir Khan & penned by Javed Akhtar). On the flip side, the length of the film is almost three long hours and has many repetitive moments followed by few bland places in the middle portion of the film. Also, the dramatic finale part might ruin the viewing experience for many people who like films from of this genre. There should have been more hilarious or comical moments that would have kept the fun element intact in the film. The movie has been beautifully shot on the luxury cruise liner with some breath taking visuals of Greece and Turkey.

Music & Direction:

Music by Shankar Ehsaan Loy is not at par with their last two associations with Zoya Akhtar’s films. Though, ‘Swing’ and ‘Gallan Goodiyaan’ are visually entertaining. ‘Pehli Baar’ could have been avoided. ‘Dil Dhadakne Do’ is used in the end credits. The background music is outstanding and goes brilliantly with the flow and setting of the film.
Director Zoya Akhtar comes up with an old story line in a modern packaging associated with it. She adds up the minute nuances in the film due to which the movie looks highly appealing. She does full justice to her main lead characters and displays them in all shades of life. The movie might not be Zoya’s best work in terms of quality or on a commercial level, but is a far better product in this type of genre. It is a sweet and clean family film with some brilliant performances, which is hardly seen in recent cinema.

Performances:

Anil Kapoor looks fantastic and gives an ace performance as per the demand of his character. It’s tough to take away your eyes from this evergreen actor. His body mannerisms and facial expressions are enough to essay his performance. Ranveer Singh is cute and charming. He adds up the life in the film, which at times tends to be bland and boring. Priyanka Chopra looks stunning and slips easily into her character. Shefali Shah is outstanding and delivers a fine performance. Together all these four main characters compliment each other’s work and emerge as a winning team. Anushka Sharma is not up to the mark. Its good her role was not that lengthier. On the other hand, Farhan Akhtar was great in his small role and one does wish to see more of him in the film. Rahul Bose does full justice to his character. Zarina Wahab, Riddhima Sud, Parmeet Sethi, Manoj Pawa and others lend good support. Pluto the dog is super cute and entertains you with its presence.

Verdict: So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well the movie is an elite entertainer with decent performances and great moments attached to it. It’s not as classy as Zoya’s debut film ‘Luck By Chance’ or highly entertaining as ‘Zindagi Na Milegi Dobara’, but still has its own merits to end up as a decent watch. The masses might find it tiring, bland and boring, but for the ones who love such types of ensemble films will not be disappointed for sure. On an overall basis, ‘Dil Dhadakne Do’ is like having a Pani Puri in a five star hotel, which is totally healthy and looks visually appealing, lacking a bit over the spices.
Ratings : 3.25/5

G9 {Divya Solgama} the Filmi Freak...: 'Welcome To Karachi' Movie Review By G9 Divya Solgama


G9 {Divya Solgama} the Filmi Freak...: 'Welcome To Karachi' Movie Review By G9 Divya Solgama



https://www.youtube.com/watch?v=eItrkUjqX-0

'Welcome To Karachi' Movie Review By G9 Divya Solgama

'Welcome To Karachi' 

Movie Review By 'G9 Divya Solgama'

'Lunatics No 1'

Expectations:

We all remember the 'No.1' tag attached to the titles of Govinda and David Dhawan. Along with this, actor-director jodi, two more people were associated with this tag, Karishma Kapoor and producer Vashu Bhagnani. Vashu Bhagnani started his production house with 'Coolie No.1' followed by many super hit films. But after the dream run for five to six years, his films started falling over the box office. After giving around eight to nine disaster films, he introduced his son Jackky Bhagnani in a yet another flop 'Kal Kissne Dekha'. Despite of these flops Vashu Bhagnani came up with one more film 'F.A.L.T.U' which also had his son as the lead role. 'F.A.L.T.U' was a box office hit and thus Vashu Bhagnani made three more films with his son along with two big budget films directed by Sajid Khan - 'Himmatwala' & 'Humshakals'. Vashu Bhagnani's latest film 'Welcome 2 Karachi' again stars his son along with his co-star Arshad Warsi from the movie 'F.A.L.T.U'. Thus, let's find out whether 'Welcome 2 Karachi' will be another sleeper hit like 'F.A.L.T.U' or might add on to the long list of flops and disasters produced by Mr.Bhagnanai.
Welcome To Karachi Movie Review

Story:

'Welcome 2 Karachi' is a story of Shammi Takhur (Arshad Warsi) and Kedar Patel (Jackky Bhagnani) who, while partying, accidently crosses the Indian ocean and land up in Pakistan. There was an incident of bomb blast on that particular day and on that particular place where these two arrive. Pakistani intelligence officer Shazia (Laurel Gottlied) gets hold of Shammi's wallet and starts searching for Shammi and Kedar on the streets of Karachi. Meanwhile, Shammi and Kedar keep wandering right from the Mafia to the Taliban camps where they are trained to become a Taliban assassin. Things become bad to worse and what happens next is what the entire film is all about.

Screenplay & Technicalities:

The story seems super exciting and funny on papers, but while executing it, ends up becoming the opposite of what was expected. There are few hilarious dialogues and funny moments like the whole joke over 3G internet and barb wire, Arshad and Jaccky mistaking Barrack Obama as Nelson Mandela, Arshad and Jaccky at Panjab Da Dhabba followed by Arshad-Jaccky narrating the tale of their Taliban journey and a few more which keeps you lighten up in this highly irritating film. There are back to back boring and idiotic scenes like Jaccky at the US visa office, Arshad-Jaccky partying in the middle of the ocean, Arshad-Jaccky attending press meet at Pakistani cabinet and many such scenes. Besides these bad scenes there are some terrible scenes like Arshad Warsi trying to do a delivery of a woman, the whole fight at the embassy street where the Israelians are firing at Palestinians followed by Iraqi's firing over the Americans along with involvement of many other countries and the climax fight where the Talibani's ambush an aircraft by attacking them at the airport runway. There is no logic or soul in this badly made film. The cinematography and special effects are horrible, especially in the scenes like the boat sinking, fight at the embassy street and in the finale climax part.
Welcome To Karachi Movie Still

Music & Direction:

Music has been an integral part of the Vashu Bhagnani's film. Sadly, in 'Welcome 2 Karachi' the songs fail to impress. The background music is very bad and highly irritating at times.
Director Ashish R Mohan wrote several comical films for Rohit Shetty and directed Akshay Kumar starrer film 'Khiladi 786'. Sadly, in the case of 'Welcome 2 Karachi' he delivers his worst, as the movie fails to impress. Ashish in order to attempt the desi version of 'Dumb & Dumber' takes his audience for granted by inserting an Afgani speaking dialogue with subtitles in Roman Hindi followed by showing posters of only known and released Pakistani films 'Khuda Kay Liye' and 'Ramchand Pakistani'. He dares to deliver back to back worst scenes in the film.

Performances:

Arshad Warsi repeats his "eehh aaahh hoon", type of act which we have been watching for a long long time. He is shown as a Naval officer, but while in Pakistan he is acting like normal simpleton who barely knows about Pakistan, Taliban and the security concerns in Pakistan. Jackky Bhagnani acts decently and impresses you with his one liners in some scenes. Lauren Gottlieb has hardly any scenes and is suddenly shown dancing with Jackky in the end credit songs Pawan Malhotra and Dalip Tahir are wasted. Ayub Khoso is entertaining.

Final Verdict: So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well, besides a few comical moments there is nothing worthy to watch in this boring and insane film. Irrfan Khan was the original choice for this film and at the time of the shooting, he walked out of the film. That's for sure, was the most sensible stuff associated with this movie. Producer Vashu Bhagnani comes up with a yet another master trash film, after giving us trashy aces like 'Humshakals' and 'Himmatwala' due to which this movie should be renamed, 'Lunatics No.1'.
  • Ratings - 0.5/5



G9 TRIVIA - COPY CAT : Episode 1 [Babli Badmaash Copied from Old Hindi Songs]



G9 TRIVIA - COPY CAT : Episode 1


Exclusive video: Babli Badmaash is a copied song?


In past we have seen a lot of scenes, songs and even entire film, which is being copied, or rather we can say inspired, either from an international film or album, or from our very own yesteryear hits. Looks like the same case has been witnessed in one of the much-anticipated film of Bollywood!
The gorgeous diva Priyanka Chopra made her debut as an item girl with a sizzling item number in Sanjay Gupta's 'Shootout At Wadala'. Music here is composed by renowned Anu Malik, who made his comeback in a big banner movie after a gap of almost two years. Lastly composed music in a multi-starrer and super-hit film 'Yamla Pagla Deewana' (2011), Anu is also quite known for plagiarism and seems like he is back in that avatar.

Shootout At Wadala

While we're on subject, after YPD and before SAW, he did two small-bannered and small-budget films - 'Yeh Jo Mohabbat Hai' (2012) and 'Gali Gali Chor Hai' (2012) - that didn't turn out so well.

Although Anu Malik's latest composition 'Babli Badmaash', featuring Priyanka Chopra, in 'Shootout At Wadala' has become quite a rage and popular all over, but what we at here MoviezAdda brings you something very rare and exclusive, which you might have never seen or witnessed.

Reportedly the tune of 'Babli Badmaash' is being allegedly copied from a yesteryear hit


Check out the exclusive video by G9 - Divya Solgama, and get yourself aware with the facts and whereabouts.




 
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