'Tamasha' - Movie Review By 'G9 Divya Solgama' (*ing - Ranbir Kapoor & Deepika Padukone. Directed by Imtiaz Ali)

'Tamasha'

Movie Review By 'G9 Divya Solgama'

'Exhibits The inner Caliber..' 

Expectations:

Our Hindi films have been highly dominated by the romantic genre right from the golden musical era of the 60’s. As a matter of fact even in the action era or today’s time, romantic films are been loved by all cast and creed. While most of the love stories in these films seems similar, filmmakers like Yash Chopra or Raj Kapoor every time presented their love stories in a different and unusual manner. Yash Chopra’s ‘Darr’, ‘Lamhe’, ‘Silsila’ or ‘Kabhi Kabhi’ are perfect variations of love stories told in a different manner. From the today’s lot we have filmmaker like Imtiaz Ali joining this elite list of love storytellers with his unique display of romance in films like ‘Jab We Met’, ‘Socha Na Tha’, ‘Love Aaj Kal’ and ‘Rockstar’. For the first time, this filmmaker has repeated his lead actors (Ranbir Kapoor & Deepika Padukone) in his latest film ‘Tamasha’, due to which the expectations level have rose up to sky level (also, due to Ranbir-Deepika’s last blockbuster film ‘Yeh Jawaani Hai Deewani’ ). Thus, let’s find out whether ‘Tamasha’ will manage to do justice to the mammoth expectations riding on it or might end up being yet another product based film, made only to cash in over its past glory. 

Story:

‘Tamasha’ is a story of a Ved (Ranbir Kapoor), who loved hearing different kind of stories right from his childhood. While vacationing in Corsica, he meets Tara (Deepika Padukone) and both of them decide not to share their identity with each other and enjoy their vacation like a free bird. Tara returns back to her original life but fails to adjust herself into the normal routines until she meets Ved again. What happens next is what the entire film is all about.

Screenplay & Technicalities:

The story has mildly reminds you of films like ‘Anjaana Anjaani’ and few more, but on an overall basis, has its own tale to narrate. This movie is more of finding ones identity with a love story attached to it. The love track acts like the uranium in a nuclear reactor, as it’s been brilliantly placed by the writers of the film. The first half of the film is superb and goes without any hiccups. It starts with brilliant metaphoric scene featuring Ranbir and Deepika (as a clown & a robot) followed by the sweet part of young Ranbir (Yash Sehgal) and the story teller (Piyush Mishra). The whole romantic part featuring Ranbir-Deepika in Corsica is superb right from their first meet scene with references of Astrix and Don followed by the pact between them, Ranbir’s Dev Anand act, Ranbir-Deepika’s bet over getting quick date followed by gatecrashing in a local party, both of them trying to control their physical urges in order to respect the pact and few more. The pre interval scenes like Ranbir-Deepika’s re meeting and display of Ranbir’s routine life (reminds you of Saif Ali Khan’s song ‘Main Kya Hoon’ from the movie ‘Love Aaj Kal’) gears you up for the second half of the film. The second half of the film starts with some powerful scenes like Ranbir’s outburst on Deepika followed by the same over his boss (Vivek Mushran). Sadly, after these scenes the movie slows down with repetitive scenes and drags till the finale part (which could have been bit better). Though, the pre-climax scene featuring Ranbir and his father Javed Sheikh is outstanding and covers up for the grey areas in the film. The message in the film is positive and is displayed beautifully with the love story as its backdrop. The camera work is superb and adds as a positive point for the film. The brilliant locations of Corsica and Shimla will make you fall in love with those places. Editing could have been better in the later part of the film.

Music & Direction:

The music of this film is not highly popular in comparison to Imtiaz Ali’s earlier films, but A.R.Rahman’s songs fits perfectly in the story telling of the film. ‘Matargashti’ is full of romance and masti followed by highly energetic ‘Heer Toh Badi Sad Hai’. ‘Agar Tum Saath Ho’ is brilliantly placed in the film and adds up as the soul value in the film. ‘Wat Wat Wat’ and ‘Chali Kahani’ are average. ‘Safarnama’ and ‘Tu Koi Aur Hai’ goes with the flow of the film. Background music works in the favour of the film. Ranbir Kapoor singing 'Husn Hazir Hain' from his father Rishi Kapoor's film 'Laila Majnu' is a treat for his fans.

Director Imtiaz Ali comes up with a film about self-discovery but presents it with a good backdrop of romance in it.  The minute detailing in all of his scenes adds as an additional screenplay for the film. He creates plenty of small moments in the film displaying the finesse of his characters in a brilliant way. The whole presentation of the film in a dramatic manner is creatively remarkable. Though, the hurried finale part could have been more soul touching especially, after the superb scene involving Ranbir and Javed Sheikh. 

Performances

Ranbir Kapoor is superb in his part and displays a fine performance. The actor outshines everyone, especially in the second half of the film with his brilliant acting skills. Deepika Padukone looks stunningly beautiful and does her part with full grace. She has evolved as a good actor and one hopes to see some fantastic work from her in future. The chemistry between Ranbir and Deepika is breath taking as both of them complement each other. Yash Sehgal as young Ranbir Kapoor is fine example of the best casting. The innocence and curiosity on his face says it all for his character. Piyush Mishra, Javed Sheikh and Vivek Mushran lend good support. Sushma Seth is wasted.

So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum???? Well, this movie has all the dum required for a good film. ‘Tamasha’ will quench the thirst of all those who love to see good simple films. This movie is not highly entertaining like ‘Yeh Jawaani Hai Deewani’ or hard hitting like ‘Rockstar’, but has its own merit to cherish. The masala loving audience might find it slow and boring due to the high expectations. But, for all those who love good cinema, “Tamasha’ exhibits the inner caliber of a brilliant story teller with good performances attached to it.

Ratings - 3.5-4*/5

'X: Past is Present' - Movie Review By 'G9 Divya Solgama' (*ing - Rajat Kapoor, Huma Qureshi, Radhika Apte, Swara Bhaskar, Aditi Chengappa, Anshuman Jha, Bidita Bag, Pia Bajpai, Parno Mitra, Gabriella Schmidt)

'X: Past is Present'

Movie Review By 'G9 Divya Solgama'

'Too Many Cooks Spoil The Broth..'

Expectations:

Director Hrihiskesh Mukherjee’s debut film ‘Musafir’ (1957) could be termed as one of the earliest films to have multiple episodic stories attached to it. Decades later this national award winning film, inspired many film makers including Ram Gopal Varma, who after attempting something similar in ‘Darna Mana Hai’ (2003), ventured into a new style of film making with its sequel ‘Darna Zaroori Hai’ (2006). This movie had seven different directors narrating their spooky tales. Though, these attempts failed to register at the box office but, still kept inspiring film makers to make films (Dus Kahaniyaan, Bombay Talkies, etc) in similar style. The latest to join these style of films is ‘X: Past is Present’, which has eleven film makers directing their part of the same film. The promos looks exciting so let’s find out whether ‘X: Past is Present’, will deliver us a fine film due to so many talented names attached to it or might end up joining the list of failed films from this genre.

Story:

‘X: Past is Present’ is a story of a film maker K (Rajat Kapoor), who meets a mysterious girl (Aditi Chengappa) in a party. K’s every interaction with this girl reminds him of his past lovers (Radhika Apte, Huma Qureshi, Swara Bhaskar, Bidita Bag, Pia Bajpai, Parno Mitra, Pooja Ruparel, etc). The memories starts to disturb him and adds on to his curiosity related to the identity of this girl. What happens next, is what the entire film is all about.

Screenplay & Technicalities:

The story idea on papers looks interesting but, when it comes to executing, it fails to match up with the required standards. There are couple of interesting chapters featuring Parno Mitra (one of the best track), Swara Bhaskar & Gabriella Schmidt, but the rest of them only caters to the pseudo intellectuals due to its repetitive and absurd narrative part. Rii Sen’s track is one of the worst track from the film. There are many abrupt and uninteresting tracks which could have been omitted from the film. The narrative part between Rajat Kapoor and Aditi Chengappa is the only decent part of the film which could have been much better. The connectivity in the film is not up to the mark due to the non-linear screenplay. There are lots of abstract camera shots which dilutes the flow of the film. Editing fails to work in the favour of the film.

Music & Direction:

Background music by Sudeep Swaroop is good but fails to enhance the level of the film.

The talented team of multiple young directors (Abhinav Shiv Tiwari, Anu Menon, Hemant Gaba, Nalan Kumarasamy, Pratim D Gupta, Q, Raja Sen, Rajshree Ojha, Sandeep Mohan, Sudhish Kamath & Suparn Verma) fail to create something interesting and engaging. There are few good moments and tracks, but, the grey tracks overtakes the mild positivity of the film, in a big way. One can easily see the high influence of world cinema style of film making in couple of the directors, who ends up giving us the worst tracks in the film.

Performances

Rajat Kapoor is fine in his part and has been decently supported by Aditi Chengappa. Besides them, Anshuman Jha (as young Rajat Kapoor), Swara Bhaskar, Radika Apte, Bidita Bag, Parno Mitra, Gabriella Schmidh, Pia Bajpai and few more are good in their small part. Huma Qureshi’s track needed more depth. Neha Mahajan, Richa Shukla, Rii Sen, Usha Uthop and others are wasted.

So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well, the movie has a decent plot line but, fails badly over its execution and confused arty style of writing. The connectivity and engaging factor is highly missing due to which the movie seems boring and dis-interesting at many points. It’s often said that too many cooks spoil the broth and one can see that happening in case of ‘X: Past is Present’.

Ratings - 1.5*/5

'Prem Ratan Dhan Payo' - Movie Review By 'G9 Divya Solgama' (*ing - Salman Khan, Sonam Kapoor, Neil Nitin Mukesh, Swara Bhaskar, Anupam Kher. Directed by Sooraj Barjatya)

'Prem Ratan Dhan Payo'

Movie Review By 'G9 Divya Solgama'

'Colossal Pauperism..'

Expectations:

Before the arrival of 'Maine Pyar Kiya', the Rajshri banner was known for its small budget simple films. Most of these films starred new comers or narrated the tale set in rural parts of India, but with melodious music and family values attached to it. It was the young vision of director Sooraj Barjatya, which enhanced the level of this traditional banner with his debut film 'Maine Pyar Kiya'. A romantic film which was modern and fresh with all the family values attached to it. Despite of having a flop, one movie actor Salman Khan and a less known T.V actress Bhagyashree, Sooraj confidently released the film with new technology of 4 track stereophonic sound. The movie went on to become one of best romantic films from our country. Similarly, in order to survive piracy Sooraj's second film, 'Hum Aapke Hain Kaun' was released in selected cinemas. The cinema halls just like in case of 'Maine Pyar Kiya' were enhanced and refurbished but this time with better seating and dolby sound. They created the whole marriage celebration atmosphere by adding lights and decorations in those cinema halls. This unique strategy worked in favour of the film and ended up making this film a blockbuster landmark film. 

Though, the marketing strategies mellowed down in his later releases and in case of 'Vivah', it was restricted only to the small towns and single screens. Sooraj’s latest film marks the comeback of superstar Salman Khan in the banner with their film ‘Prem Ratan Dhan Payo’. The movie has been shot in a grand way and is released in totally different style than what Rajshri have been doing in past by releasing it in maximum cinema halls from our country. ‘PRDP’ has superstar Salman Khan, the grandness of Rajshri banner, festive season and a mammoth release but, along with all these positive points it also has to pass the acid test of mega expectations attached to it. Thus, let’s find out whether ‘PRDP’ will managed to give us yet another typical Rajshri-Sooraj Barjatya type of film catering to the family audiences or might be like all those big product type of films which are made only to encash over the past glories attached to it.

Story:

‘Prem Ratan Dhan Payo’ is a story of Prince Vijay Singh (Salman Khan) who is gearing up for his royal coronation to become a king. Sadly, Vijay’s relationship with his step siblings (Neil Nitin Mukesh, Swara Bhaskar, Aashika Bhatia) has soured down, due to which his step brother tries to kill him. Vijay Singh survives the attempt with help of his loyal manager (Anupam Kher). Till the time Vijay Singh recovers, the manager places Vijay Singh’s lookalike Prem (Salman Khan), who visits that town in order to meet his idol princess Maithili (Sonam Kapoor). What happens next is what the entire film is all about.

Screenplay & Technicalities:

The story is highly inspired from the popular adventure novel ‘The Prisoner of Zenda’ and also has few shades from films like ‘Raja Aur Runk’, ‘Dil Hi To Hain’, etc. The predictable plot has been stretched to its fullest with back to back three songs in the start of the film which are abruptly placed. Despite of that, the first half is still watchable leading to a thin line second half which keeps going on and on without halting at any point. The last hour of this almost three hour long film is the worst part of the film which involves over dramatic track of Samir Dharmadhikari leading to unconvincing track of Armaan Kohli followed by predictable fight between Salman and Neil leading to fake goodbyes with a filmy reunion ending. The flow of the film is so slow and lethargic that despite of lot of things happening out there, still there is nothing concrete happening in the film. Though few scenes involving Salman Khan and Anupam Kher followed by Salman and Swara Bhaskar are good and has that typical Rajshri flavor indulged in it, such movies need more of such scenes. Despite of such grand set up and huge grandeur attached with the film, the movie looks fake and artificial. There are some bad scenes like the whole football track, flashback scenes, Armaan Kohli’s track and few more which disengages you from the film at many points. The cinematography is good and movie has been presented in a grand way. 

Music & Direction:

Music has been one of the highest point of the Rajshri banner. Even with less known music directors, they managed to create magic frequently. Sadly, here, despite of having Himesh Reshammiyaa the music is not up to the mark of Rajshri banner. ‘Prem Leela’ has Salman Khan flavour in it. ‘Aaj Unse Milna’ is typical Rajsrhi style of song and has the soul intact. The title track is the best track from the film and has been brilliantly choreographed. “Jab Tum Chaho’, ‘Halo Re’ and other songs are unwanted. ‘Tod Tadaiya’ is worst placed song in the film.

 After the release of ‘Maine Pyar Kiya’, ‘Hum Aapke Hain Kaun’ and ‘Hum Saath Saath Hain’, director Sooraj Barjatiya was blamed of being stuck in one particular style. He tried to break it with ‘Main Prem Ki Deewani Hoon’ which ended up as one of his worst film. He mildly came back with his stuck style in ‘Vivah’ and in ‘Prem Ratan Dhan Payo’, even that is missing. He fails to create those magical sweet and emotional moments and focuses more on the style and gloss attached to the film. The simplicity is nowhere to be found in terms of writing nor direction.

Performances

Salman Khan looks great in few scenes but in the later part looks highly beefed up and totally stiff. The required innocence is invisible making him look methodic. The charisma due to which Salman has managed to pull many weak films is highly missing and seems fake at times. Sonam Kapoor looks smashing in traditional avatar, but fails to do justice to her role. Swara Bhaskar and Anupam Kher does their part with total grace. Deepak Dobriyal, Neil Nitin Mukesh, Manoj Joshi, Sanjay Mishra, Samir Dharmaadhikari and Suhasani Mulay are wasted. Armaan Kohli reminds of his ‘Jaani Dushman’ act.  

So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well, the movie lacks the required dum needed for a typical Rajshri banner type of film. It has few comical and emotional moments along with couple of enjoyable songs, but besides that, there is nothing cherishable in this film. Maybe the presence of Mohnish Behl, Reema Lagoo and Alok Nath would had filled the weak spot but if only wishes were horses, beggars would ride. Similarly, in case of ‘Prem Ratan Dhan Payo’ instead of being a royal entertainer this movie ends up as a result of colossal pauperism.

Ratings - 1.5*/5

'Salman Khan' Interview By G9 'Divya Solgama'

'Stardom has not hit me yet...' 

- 'Salman Khan' Interview By G9 'Divya Solgama'

'Prem Ratan Dhan Payo’ is the upcoming Salman Khan flick slated for a Diwali release. It is touted to be a very interesting film and reunites the superstar Khan with his mentor Sooraj Barjatya after a long time. Our Bollywood Guide 'G9 Divya Solgama' had the pleasure of speaking to the protagonist of the movie, “Salman Khan” who talks about his film, personal life and shares a nostalgic incident related to his first hit film ‘Maine Pyar Kiya’.

Salman, first things first it’s been almost one and half decade since you last worked with Sooraj Barjatya. In this span, you have changed from a star to superstar but what changes did you find in this simple filmmaker while working with him for your latest film ‘Prem Ratan Dhan Payo’.

Whenever you improvise in a film with David Dhawan, you have to do it in David’s style or a film with Sanjay Leela Bhansali, so it has to be in his style. With Sooraj what happens is that, you got to do a lot in his style, because he already keeps improvising it with lots of humour, character, dialogues, etc. Now in this you have added some of naughtiness in the humour but, in ‘Rajshri’ banner mode, it is very tough. I don’t know if we have gone overboard with it, but I feel we have got bit carried away. So the humour here is not typical Sooraj Barjatya style but, also has little naughty style of mine. The beauty here is, that this is limited to comedy only, the moment it shifts to romance he pulls back with the whole ‘ghar ki aakhon ki sharam’, ‘maan maryada’, the dignity, the principles, etc. That is the romance which he brings in. These tracks are also linked with the brother and sister track, which is witnessed in every home. So in this way everyone is interconnected. Now to handle all these with humor and good romance it is very difficult. Generally, when filmmakers write a film they try to give some message in it, but in the case of Sooraj, when he writes, he just writes a simple tale about brothers and sisters and that message automatically comes out towards the end. The moment you come out of the cinema hall you start thinking that I need to be a correct man, a correct boyfriend, a correct son or a correct brother. My loved ones do not deserve this, they deserve better. You feel like you have come out from a pure and pious type of place. Despite of songs, dance, humour, some double meaning dialogues or romance you still will feel that you have come out from a holy place. It would be waste if people watch a Sooraj Barjatiya film on a DVD as he puts lot of good things in his films. His films should be watched on big screen and that too, with every family member of yours. Like all his good films ‘Prem Ratan Dhan Payo’ is also such kind of film which you will love to see over and over again and again. Regarding Sooraj, he is still the same simple person who cares for everyone. The length of ‘PRDP’ was quite long and inspite of that we all felt that it should be maintained as it is. Sooraj said, ‘no yaar!, let the length be restricted so that people don’t find it long’. I replied back saying that we saw the film (I usually fall asleep in my films) and liked it, let the audience enjoy the beautiful moments. Sooraj insisted on keeping it same length as of ‘Bajrangi Bhaijaan’ and said ‘after the night show I don’t want people to be late for dinner or if they watch it after dinner it will be so late that they might not get bus or train to reach home, there will be fog in north India’. So he reduced the length of the film keeping in mind the small problems of his viewers. This is Sooraj Barjatya, the same old caring and loving person.

Salman, what was your instant reaction on the first day of shoot for your film ‘Prem Ratan Dhan Payo’.

When I heard the script and came to know that it will be directed by Sooraj Barjatya, I told him ‘Sooraj Babu this movie is a big one’. Even on the first day of shoot when I reached there and saw the atmosphere I again told him ‘this movie is a big one’. He replied back ‘arey do a shot at least’, I smiled and assured him ‘Sooraj Babu this movie is a big one’.

Salman, many of your fans love the action in your films. ‘Bajrangi Bhaijan’ was a softer film in comparison to your earlier ones. So will your fans get to see some ‘Dhishum Dhishum’ in ‘Prem Ratan Dhan Payo’ as it’s choreographed by British action director Greg Powell.

The action in ‘PRDP’ is like a poetry. When you see the film, the way it’s shot, is just like a poetry. Greg Powell and his team also came here thinking there will be some grand action but there were just two sequences which are beautifully shot just like a beautiful song. If you have noticed properly, Sooraj’s negative characters in his films are weak and kiddish. He cannot think of writing any hard core negative characters and ended up giving us Mohnish Behl in ‘Maine Pyar Kiya’ who used to hit pigeon, Bindu in ‘Hum Aapke Hain Kaun’ used to gossip or those three stylish aunties from ‘Hum Saath Saath Hain’. Any other director would have got some big hunks or vamps to glorify the negative characters. So action in Sooraj’s films in comparison to other films is just like a beautiful poetry.

Salman, out of all your film characters ‘Prem’ is the most loved one. Do you feel it’s due to the real life connection you have with your family. Also, being a family man how do you deal with the troublesome situations.

Well regarding the troublesome situations, I don’t deal with them, my father does. Fortunately, we have not faced anything serious as even a small thing is solved right there and then itself. Touch wood, we have been lucky in that case. We hang out in a big family, due to which you understand the humour, you understand what level one can drag a joke which families won’t mind and which is not disrespectful. If it’s happening in your house, it’s happening in anyone else’s house. Usually, people get scared and they try and show different side of theirs’ in the movies. The way I am at home with my family I am exactly the same in outside world. I understand all the stardom and fanfare, but that guy on screen has nothing to do with me. It’s my job, I do my work, my films do well and I am still the same sitting outside my van or living in my farm. That stardom has not hit me yet and I hope it doesn’t hit me ever. I do have a serious look on my face but that’s to keep unwanted people away from me. If I behaved like Sooraj or Prem from ‘PRDP' or even Pavan from ‘Bajrangi Bhaijaan’ people will take undue advantage of me. They would physically over pamper me which was happening from long time, people used to pull my cheeks or spoil my hair style. Yaar it’s been twenty seven years please have some respect towards me. So that is how that look came in existence, at home I don’t have that serious looks and this is what is real Salman Khan which connects properly with Prem from Sooraj’s films.

Lastly, Salman kindly share with us the incident on how did Sooraj sign you for your first hit film ‘Maine Pyar Kiya’.

No, no I approached Sooraj Barjatiya. Actually, there were three different lot of people who had recommended my name to Sooraj. There was this girl named Shabhana with whom I had worked in an AD film, she went to do screen test for the heroine’s role and at that time she asked Sooraj, who have you taken as a hero. Sooraj informed her that Deepak Tijori and Manoj Kumar’s son Kunal Goswami were tentatively finalized. So in return she recommended by name saying that I have worked with this guy Salma Khan, who is writer Salim Khan’s son, you should try him. Later my dad’s assistant Raj knew Guptaji at the Rajshri banner and he also recommended my name. Then there was a writer who gave me a script narration which I thought was a ridiculous script and thus, refused it. As soon as he went back he told another friend of his about my reaction to his script, now that writer friend also felt the same about the bad script. So he understood my perspective and went on recommending me to the writer of Rajshri banner that there is this young actor who is also Salim Khan’s son and has good sensibilities of film making. So these three people recommended me and then I went there for story narration. I thought Sooraj will narrate me a villager’s role but when he started narrating the script of ‘Maine Pyar Kiya’. At that time I realized that there is neither dhoti nor village in this film instead, has fast car, bikes, jacket in it. For the first time I am not seeing any Sanjay Dutt, Sunny Deol, Kumar Gaurav or Jackie Shroff in this film, all I saw was myself playing the role of Prem in this film. As soon as the story narration was over I cheerfully told him ‘Sooraj, superb man we will make a great film together’. He instantly replied back ‘but, Salman I have not signed you yet as we have short listed Deepak Tijori and Kunal Goswami’. I realized that this movie will not happen and thus went back to my struggling times. Producer K.C Bokadia’s associate Suresh Bhagat was starting a film which almost every young actor had refused it. So when I walked in they asked me, “It’s a small role. Will you do it? “Out of desperation, I said, ‘yes’. They did all the signing formalities and gave me a VHS of a regional film and told me to watch it for my part in the film. When I saw the film, I realized that the film is damn good but my role is hardly there. I had no choice rather than doing this film as had no work. 

Now, out there in Rajshri banner, I had also done a screen test for which I had taken a friend Farah Khan who was a bad dancer at that time (jokingly laughs). Farah trained me for a front somersault and few dance steps. When we went for the screen test, I was asked to dance on a song. When I danced, I was dancing like Jackie Shroff and at that time Farah got so angry and told me to do it properly or else I will lose the film. She also changed the sides and told Sooraj not to cast me in the film (jokingly laughs). When Farah went away, Sooraj made me do some steps with Guitar and also recite some dialogs. Sooraj showed this screen test to his cousins Charu and Chanda, they were highly impressed with me and insisted Sooraj to sign me. When Sooraj came to sign me I was doing my epic film ‘Biwi Ho Toh Aisi’, I explained to Sooraj how I, landed in this film. He said, “No problem, we will come first”, I told him this movie is almost complete. Sooraj went and spoke to his father and came back to say that it does not matter and told me that you were damn good in the test thus we changed our decision and want to cast you for ‘Maine Pyar Kiya’. Once ‘Biwi Ho Toh Aisi’ got completed I saw the rushes. At that night I called up Sooraj and told him to look for another hero as I felt I was not up to the mark, still I asked the makers to show him the film so that he can remove me from the film and take someone else. Sooraj saw the film and told me that the film is good and will do very well. I told him that’s my biggest fear is that many people will see it and after that they will see ‘Maine Pyar Kiya’, they won’t enter the theater looking at me. Sooraj consoled me and said you are Prem of ‘Maine Pyar Kiya’, this is not you. Let this film happen, even if it does well or fare bad it won’t affect you. Just imagine a nineteen year old boy had the maturity and had the spunk to cast another nineteen year old guy in a film when Rajshri banner was down and out. Their highest budget film was forty lakhs and then ‘Maine Pyar Kiya’ cost them one crore twenty lakhs. So just imagine, what Sooraj Barjatya must’ve done to ‘Prem Ratan Dhan Payo’ in terms of its scale and budget. 

'Ranbanka' - Movie Review By 'G9 Divya Solgama' (*ing - Manish Paul, Ravi Kishan & Pooja Thakur. Directed by Aryeman Ramsay)

'Ranbanka'

Movie Review By 'G9 Divya Solgama'

'The Obsessed Lover's Saga..'

Expectations:

Right from the Ashok Kumar or Dilip Kumar days, our Hindi films have witnessed various shades of obsessed lovers. The 70’s witnessed many young actors like Amitabh Bachchan, Shatrughan Sinha, Vinod Khanna and few more venturing into this grey territory. But, it was Yash Chopra’s film ‘Darr’, which established Shahrukh Khan as the violent obsessed lovers after which films like ‘Fareb’, ‘Anjaam’ and many more started adding to this genre. Actor Ravi Kishan also, worked in an unofficial Bhojpuri version of ‘Darr’ which co stared Manoj Tiwari and Nagma. This Kamaal R Khan produced film had Ravi Kishan playing the role of Shahrukh Khan and after a long time returns back in almost similar avatar for his new film ‘Ranbanka’. Though this time it revolves around a married female and her family. So let’s find out, whether ‘Ranbanka’ will manage to make its mark or might end up being yet another weak clone of films made under the same genre.

Story:

‘Ranbanka’ is a story of an engineer Rahul (Manish Paul) who is transferred to Mathura along with his wife Priya (Pooja Thakur) and son. The city is terrorized by a local goon Raghav (Ravi Kishan) who is the younger brother of MLA Prakash Singh (Rudra Kaushish). One day, Raghav accidently bumps into Priya after which he falls in love with her. He threatens Priya to marry him if she wishes to see her family alive. What happens next, is what the entire film is all about.

Screenplay & Technicalities:

The story line is good and has basic shades of the movie ‘Darr’. There are couple of good scenes involving Ravi Kishan and Pooja Thakur but besides those few scenes and a decent story line there is nothing much to boast about in this film. There are back to back many loud scenes especially related to establishing the menacing character of Ravi Kishan or Pooja instigating Manish Paul to kill Ravi Kishan, these scenes could have been avoided. Also, there are few side tracks like honour killing, etc which dilutes the flow of the film. The love struck expressions of Ravi Kishan are hilarious followed by the intense looks of Manish Paul. The movie defies logic in many scenes as one wonders why a female is seen changing clothes without locking the trail room in a men’s showroom. Every scene involving Manish Paul fighting is unintentionally funny. There is a scene where he plucks a glass piece from his face and one can see the makeup coming out. Also, his character seems to be inspired from the character of Akshay Kumar from the movie ‘Brothers’ as he keeps getting beaten up and only then, hits back. 

Music & Direction:

There are three item songs in the film. The first one revolves around Lord Krishna, but the other two are just added for skin show and titillate the rural audience.

Director Aryeman had debuted as an actor in Amitabh Bachchan-Akshay Kumar’s film ‘Family’. He ventures into a new territory and comes up with a decent story line but fails to execute it properly. The movie ends up like a regional film with forced drama and loud performances. 

Performances

As per the end credits this movie is Manish Paul’s debut film but due to delay and non-support from him, ends up as a small film which will go unnoticed.  He seems to be clueless in the film and fails to deliver in the emotional and dramatic scenes. Pooja Thakur is fine in few scenes but in rest, looks like an over glamorous wannabe actress. Ravi Kishan begins his part with grace later, gets loud and repetitive. 

So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

 Dum??? Well there is some dum related to its basic story line, but besides that, the movie is a weak product of an obsessed lover’s saga.

Ratings - 1.5*/5

'Four Pillars Of Basement' - Movie Review By 'G9 Divya Solgama' (*ing - Dilzan Wadia, Allya Singh, Shawar Ali, Imran Khan & Anant Jog)

'Four Pillars Of Basement'

Movie Review By 'G9 Divya Solgama'

'Debris Of Overacting'

Expectations:

Every week along with the popular films there are few small films which get released including few non-starrer films. Most of these non-starrer small films have new faces associated with it along with some noticeable character actors, whose faces are highlighted in the posters in order to attract the viewers. These films are made with small budget without any proper screenplay or technicalities attached to it. Many times, the films are produced by one of the lead actors in order to launch themselves in this glamorous world of Hindi cinema. The posters are pasted in the film based areas of the tinsel town for few days with couple of shows to its credit and within few days disappears without any trace. This week we witness ‘Four Pillars Of Basement’ which claims to be an out and out thriller. Thus, let’s find out if this movie matches up to its tall claims or might end up being yet another low grade film made only to fulfil some personal commitments. 

Story:

‘Four Pillars Of Basement’ is a story of Riya (Allya Singh) who ends up working late in her office on the Diwali night. She and her boss (Anant Jog) are the last ones to leave the office but Riya’s tyre gets punctured. At that time she meets up the security guard Sameer (Dilzan Wadia) who is obsessed with her and traps her in the basement of the building. Riya tries hard to contact her fiancée (Shawar Ali) and brother (Imran Khan) but fails due to network failure. Riya keeps hiding in the basement but Sameer has some other plans for her. What happens next is what the entire film is all about. 

Screenplay & Technicalities:

The story is shamelessly copied from an American/Canadian thriller film ‘P2’. The scenes are frame to frame placed from the original film without any creative input. The screenplay lacks proper adaptation and has abrupt scenes attached to it. The girl gets molested by her boss and in next scene she is absolutely normal. Similarly, no one can escape from the building but Shawar Ali and Imran Khan manage to sneak in from nowhere. Even in an intense moment the movie breaks in to a romantic song where Dilzan is obsessed with himself only and has majority of scenes shot only on him. The C.G.I work is terrible and matches up to the level of 90’s TV serials. The bad camera angles trying to focus on the cleavage of Allya Singh makes the movie look cheap and vulgar at times. 

Direction:

The director makes a bad and cheap version of the movie ‘P2’ and ends up torturing his audience with loud performances by its lead actors. The actors are not only loud in terms of their vocals but also by their acts. The movie has loads of repetitive moments and illogical scenes attached to it. 

Performances

Dilzan Wadia looks like an uglier version of actor Sahil Khan (‘Style’ fame). He keeps on blabbering throughout the film with his loud ‘Gabbar’ style of dialogue delivery. Not only this, he also sing songs with his bad voice and horrible facial expressions. Dilzan has a face which can be used as a mask in some cheap TV horror show. It’s tough to decide between Dilzan and Allya, who screams badly in the film. Allya Singh tries to do unnecessary skin show and fails to act. All she has to do is scream and run in the film, she ends up doing both the parts very badly. Shawar Ali, Zakir Hussain, Anant Jog, Imran Khan and others are wasted.

So bol meri 'Filmi Khopdi' iss film mein kitna hain Dum???

Dum??? Well, there is no dum in this terrible film which ends up like a debris of overacting and never ending torture for its viewers. 

Ratings - 0*/5